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Agile development processes foster better collaboration, innovation, and results. So why limit their use to software projects—when you can transform your entire business?

Written by agile-mentoring expert Jochen Krebs, this book illuminates the opportunities—and rewards—of applying agile processes to your overall IT portfolio.

Whether project manager, business analyst, or executive—you’ll understand the business drivers behind agile portfolio management. And learn best practices for optimizing results.

Use agile processes to align IT and business strategy

• Adapt and extend core agile processes
• Orchestrate the collaboration between IT and business vision
• Eliminate wish-list driven requirements, and manage expectations instead
• Optimize the balance of projects, resources, and assets in your portfolio
• Use metrics to communicate project status, quality, even team morale
• Create a portfolio strategy consistent with the goals of the organization
• Achieve organizational and process transparency
• Manage your business with agility—and help maximize the returns!

• Sales Rank: #1305138 in Books
• Brand: Brand: Microsoft Press
• Published on: 2008-06-30
• Released on: 2008-07-16
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 7.40" l, 1.05 pounds
• Binding: Paperback
• 240 pages

Features

• Used Book in Good Condition

About the Author

Jochen Krebs is an accomplished agile mentor and instructor, and the founder of an agile coaching and training services company. He spearheads the local chapter of Agile Project Leadership Network (APLN) in New York, speaks at industry conferences and corporate events, and has written numerous articles about agile practices. He is also the coauthor of the IBM RATIONAL UNIFIED PROCESS REFERENCE AND CERTIFICATION GUIDE.

Most helpful customer reviews

27 of 27 people found the following review helpful.
Full of misunderstandings with some insights
By Bas Vodde
I was looking forward to this book! An important hole in the current agile literature and a book only on this subject. Finally... but ... I'm extremely disappointed.

Jochen Krebs' Agile Portfolio Management consists of 3 parts. Part one is called "Agile for Managers", part two is the things about portfolio management and part three is *other* called organization and environment.

The first part consists of three chapters. The first chapter consists a general motivation for agile development and responding to change. The second chapter is a short introduction to Agile development and the last chapter an introduction to project management. This takes up 1/4th of the book. The explanations are poorly written and full with misunderstandings. To give a concrete example, on page 27 Jochen is suggesting that in Scrum you can not have any other meetings except for the daily Scrum. A recommendation which I've never heard before and I'm pretty sure he didn't actually mean that!

Part two consists of about 125 pages and is the main subject of the book, though it starts with three somewhat introduction chapters called Foundation, Metrics and Return of Investment. These chapters don't show too much experience from the author. The suggestion that TDD and Continuous Integration finds defects early so that one of the main quality metrics is open defect count is absurd and goes directly against advise of great agile literature like "Art of Agile development" or "Sustainable Software Development". It gives the feeling the author simply forgot to learn about agile development before he wrote the book. The explanation of story points was vague, the explanation of Use Case points unnecessary. The talk about return of investment forgot to give actual tools for doing so.

After the first 100 pages, I almost threw away the book and was pretty sure I would rate it 1 start. Though, luckily it started to improve. If you buy this book, I recommend to skip the first 100 pages :)

Chapter 7, 8, and 9 cover three portfolios: Project, resource and asset. The project portfolio covered some good ideas like increasing the portfolio decision frequency, using agile metrics and making other decisions than go/kill. The resource portfolio chapter was poor and doesn't talk much about resource management. The asset portfolio chapter is short but covers some important topics not covered frequently in other places.

Part three just consists of two chapters. The first one uses Scrum to become a portfolio management process. I found the idea interest and absurd. Especially the daily portfolio meeting and the portfolio master seen a sure sign of misapplication. The chapter is speculative, the real story about the real situation is missing. It made me doubt the author has actually done this. The second chapter of part three is a chapter about the PMO. I very strongly disagree with the suggestions from the author, especially making the PMO larger for Agile organizations.

In other words, I only thought that part two was worth my time (and only half of that) thats about 50 pages... Next to this, the writing and editing of the book was poor. Some constructions seem very German and sentences are constructed poorly making me sleepy while reading. I wonder if Microsoft Press did any editing at all or supported the author at all. Quite disappointing.

I would not recommend this book to anyone. It's probably better to read some traditional portfolio management book (e.g. Coopers Portfolio Management for New Products) together with some basic Agile books and especially Mike Cohn Agile Estimating and Planning (which covers much of the ROI and value calculation, but explained better). If you read all of these and want some insights and ideas from this book, just read chapter 7, 8 and 9 and skip the rest.

I still rated this book three stars, which is probably too high. After the first 100 pages, I was sure it would not be higher than 1 star. But some chapters contained some insights and that made me decide to give it 2 stars. I switched to three stars simply because I applaud the attempt. This is a new area, there is no existing material and it is great Jochen took this opportunity and tried to fill a gap. Though, a different book is probably needed.

3 of 3 people found the following review helpful.
Accurate Assessment of Conventional Software Processes?
By dmwpepper
While the basic description of agile portfolio management is useful, I found many of the claims about current software project practices to be based on exagerrated weaknesses of these conventional practices.

I believe the author exaggerates the differences between customer expectations and customer requirements. While they can be different, competent systems analysts can capture and document expectations, as well as requirement. The author's view is that traditional requirements analysis, for various reasons cannot be expected to capture customer requirements in a timely and "agile"/adaptable manner. My experience is different.

The author also claims that traditional project management practices contribute to a lack of agility. WBSs, GANT charts and other techniques are inherently inflexible, rigid and labor intensive, in his view. My experience with tools like Microsoft Project is that what-if scenarios and other hypothetical and actual adjustments are easy to create and provide the kind of decision support a project manager needs when requirements change, resources come and go, or schedules tighten unexpectedly.

Having worked on a number of rapid prototyping and quick reaction environments I realize that keeping up with customers that have a fast ops tempo and shifting focus can be a challenge. For that reason, I strongly agree with the author on the value of constant interaction with the customer and stakeholders, continuous builds, on-going testing and integration, teams being given wide latitude to focus on developing solutions and managers focusing on removing impediments. However, the author claims that these and other practices he discusses are unique to an agile development environment.

In my view, agile development represents just one confluence of best practices identified over many years and under different labels, such as rapid prototyping, joint application development, spiral development, Rational Unified Process (RUP), etc. While the author discusses these and other methodologies, I think his comparisons and contrasts with agile development are superficial. RUP, in particular, is not given its due as being an "agile" process and project management framework that can be used on different kinds of software projects.

I'm more of a middle of the road person. I tend to blend the strengths of many different approaches and when I read something that maximizes its strengths while exaggerating the weaknesses of other approaches, I tend to be skeptical. From my own experience with dynamic customer environments, I wonder if the author's description of agile development would lend itself to an EFFICIENT discovery of complex requirements. What's more efficient and agile, trying to code to "vague" requirements and continually coming back to the customer saying, "Is this the rock you wanted?" or holding some JAD sessions, getting with subject matter experts and prototyping aspects of the system that are not clearly understood? I'm not sure the author's description of agile development adds anything new to previous techniques for clarifying vague requirements or discovering unspoken requirements. It just takes a team of analysts, developers and stakeholders willing to work closely together, whether it be in the Elaboration phase of a RUP-based project, the 1st or 2nd iteration phase on a rapid-prototyping project or (get this) even in the requirements analysis phase of a traditional life cycle project.

Also, to me, the notion of "stories", "epics" and "themes" represent unnecessarily relabeled and watered-down versions of more mature UML techniques that model system structure, behavior and human-system and system-to-system interaction. To his credit, the author did spend time discussing the application of use cases which are easily implmented graphically and textually in UML.

While the author does bring together a number of concepts that are useful for running a project, he doesn't make the case that agile development, as a whole, is a major departure from conventional practices, but I like adding some of the "tools" he discussed to my toolbelt.

3 of 3 people found the following review helpful.
Forgettable
By PMO Manager
One fourth of the book is devoted to the usual waterfall badgering. Another fourth to motherhood statements about agile practices. Another fourth to simplistic ideas about project selection and resource planning. And another fourth to mmm..., what was the last fourth about?

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• Sales Rank: #378122 in Books
• Published on: 2015-08-01
• Original language: English
• Dimensions: 8.25" h x 5.25" w x .75" l,
• Binding: Paperback
• 272 pages

About the Author

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Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Athena S Jenkins
Amazing

See all 1 customer reviews...

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An exceptional health resource addressing professional practice issues in complementary and alternative medicine

Clinical Decision Making in Complementary & Alternative Medicine differs from other medical texts by introducing a systematic clinical framework for the practice of complementary and alternative medicine.

While comparable titles may explore the use or efficacy of specific complementary and alternative medicine interventions, this indispensable textbook highlights evidence-based interventions, while helping practitioners apply them within a clinical decision making framework.

Clinical Decision Making in Complementary & Alternative Medicine is a one-of-a-kind health reference for clinicians, students and educators alike.

Divided into two parts – theoretical foundation and practical application – the book includes case studies on health conditions such as acne, irritable bowel syndrome and migraine.

Clinical Decision Making in Complementary & Alternative Medicine is also unique in that it:
•�focuses on evidence-based practice while also paying attention to the underlying philosophy of complementary and alternative medicine
•�includes learning objectives and activities to consolidate reader knowledge and help lecturers teaching complementary and alternative medicine students
•�enables complementary and alternative medicine practitioners to systematically assess, diagnose, treat and evaluate client-centred health problems in accordance with the established art, science and philosophy of complementary and alternative medicine
•�guides practitioner thinking, assessment and care – all of which may help increase professional autonomy and accountability, improve client outcomes and quality of care, and reduce errors in decision making

• Sales Rank: #3708800 in Books
• Published on: 2010-07-30
• Format: Large Print
• Original language: English
• Number of items: 2
• Dimensions: 9.65" h x .72" w x 6.89" l, 1.50 pounds
• Binding: Paperback
• 316 pages

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[D606.Ebook] Download PDF Women Crime Writers: Eight Suspense Novels of the 1940s & 50s: A Library of America Boxed Set, by Sarah Weinman

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The Library of America and editor Sarah Weinman redefine the classic era of American crime fiction with a landmark collection of eight brilliant novels by the female pioneers of the genre, the women who paved the way for Gillian Flynn, Tana French, and Lisa Scottoline.���

Though women crime and suspense writers dominate today’s best seller lists, the extraordinary creations of the mid-century female pioneers of the genre are largely unknown. Their work, influential in its day and still vibrant and extraordinarily riveting, is long overdue for rediscovery. Now The Library of America makes these classic books available in a deluxe two-volume collector’s edition.
�
From the 1940s, here are Vera Caspary’s famous career girl mystery Laura; Helen Eustis’s intricate campus thriller The Horizontal Man; Dorothy B. Hughes’s In a Lonely Place, the terrifyingly intimate portrait of a serial killer; and Elisabeth Sanxay Holding’s The Blank Wall, in which a wife in wartime is forced to take extreme measures when her family is threatened.
�
The 1950s volume includes Charlotte Armstrong’s Mischief, the nightmarish drama of a child entrusted to a psychotic babysitter; Patricia Highsmith’s brilliant The Blunderer, which tracks the perverse parallel lives of two men driven toward murder; Margaret Millar’s Beast in View, a relentless study in madness; and Dolores Hitchens’s Fools’ Gold, a hard-edged tale of robbery and redemption.

Boxed set contains:�
Women Crime Writers: Four Suspense Novels of the 1940s (Library of America #268)
Women Crime Writers: Four Suspense Novels of the 1950s (Library of America #269)

Both volumes are available separately in print and e-book editions.

• Sales Rank: #90509 in Books
• Published on: 2015-09-01
• Released on: 2015-09-01
• Original language: English
• Number of items: 2
• Dimensions: 8.52" h x 2.80" w x 5.36" l, .0 pounds
• Binding: Hardcover
• 1512 pages

Review
"This set is a must-have addition to any crime fiction fan's bookcase." —The Strand Magazine

"The novels in the anthology are page-turners, every one." —Megan Abbott

"With its gutsy, crackling eight novels, Women Crime Writers challenges the perception of American crime fiction as a genre shaped by men, and dominated by brooding male figures." —Brigit Katz, Women in the World

�"A stunning collection." —Nancy Bilyeau, The Big Thrill

�"The original female crime writers every Gone Girl fan should know." —Caitlin MacDougall

About the Author
Sarah Weinman�is widely recognized as a leading authority on crime fiction. She is the editor of�Troubled Daughters, Twisted Wives: Stories from the Trailblazers of Domestic Suspense�(Penguin, 2013), which the�Los Angeles Review of Books�called “simply one of the most significant anthologies of crime fiction, ever.” She is the news editor for�Publishers Marketplace�and her work has appeared in The�New York Times,�The Wall Street Journal, the�National Post, the�Los�Angeles Times, and�The Washington Post, among other publications. Weinman lives in Brooklyn, New York.

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21 of 22 people found the following review helpful.
Women Crime Writers in the Library of America
By Robin Friedman
The Library of America has been expanding the canon of classic American literature by publishing the works of obscure writers and by publishing genre writing. This new LOA two-volume box set, "Woman Crime Writers: Four Suspense Novels of the 1940's and 1950's" expands the scope of American literature it deems worthy of preservation in both ways: it includes works by little-known authors which have gone out-of-print, and it includes genre writing in the form of crime fiction which critics at one time did not take seriously. The box set includes four suspense novels from the 1940s written by four different women authors and four suspense novels from the 1950s written by an additional four women. Sarah Weinman, an authority on women's crime fiction selected and edited both volumes. Weinman has edited an earlier volume of women's crime fiction, "Troubled Daughters, Twisted Wives: Stories from the Trailblazers of Domestic Suspense".

The eight novels in this anthology are enjoyable, suspenseful, and psychologically astute. They enhanced my appreciation of American writing and of crime fiction and introduced me to several authors I didn't know. The books in the anthology are crime fiction written by women, but beyond that fact, they resist easy generalization.

The first volume includes four novels from the 1940s, and they tend to focus on the United States in the WW II years and in the immediately following years. Perhaps the single most impressive work in both volumes is Dorothy Hughes' novel, "In a Lonely Place" which tells from the inside the story of a serial killer recently returned from service in WW II. The detective who ultimately brings him down also is a WW II veteran who had been a close friend of the killer. This is a chilling, insightful novel with portrayals of the killer, the detective, and two important women: the detective's wife and the would be lady friend of the killer. In 1950, "In a Lonely Place" was made into a film starring Humphrey Bogart, but the book and author have been largely forgotten.

Elisabeth Holding's novel, "In a Blank Wall" also shows the United States during the WW II years. The primary character is a housewife whose husband is away at war. The woman, who is devoted to her family and home, becomes involved in a world of killings, crime, and potential romance. She discovers that she has the internal resources to acquit herself in the situation.

The other two books in the volume also show American life in the 1940s but are less concerned with the war. Vera Caspary's novel "Laura" tells the story of an independent career woman who is also searching for love. The novel is told from three different perspectives. Caspary's book became a famous film directed by Otto Preminger and inspired an even more famous song. But the book has been little-read and deserves to be known in its own right. Helen Eustis' "The Horizontal Man" tells the story of the murder of a young professor at an exclusive women's college. Finding the killer is of less importance in enjoying the novel than the portrayal of college life and of character that the book offers.

The 1950's volume also includes four novels, and they tend to focus on American life after the war in the 50s. The volume includes a book by a well-known author, Patricia Highsmith, "The Blunderer". Highsmith's novel, "The Talented Mr. Ripley" is included in an earlier LOA collection of noir writing from the 1950s. "The Blunderer" is set in the complacent American suburbia of the early 1950s. The book involves a twinning similar to that of "The "Talented Mr Ripley." A corporate lawyer trapped in an unhappy marriage sees a news article about a man who murdered his wife at a bus rest stop, and he is tempted to do the same. Highsmith's novel develops the relationship between the two men and the two apparent murders, as the deaths are pursued by a viciously brutal police detective.

The remaining three novels in the 1950s volume are by less well known authors with two of the books, "Beast in View" by Margaret Millar and ""Fools Gold" by Dolores Hitchens out of print at the time of the LOA volume's publication. Both of these books are finds and both are set in the Los Angeles area. Millar's novel tells the story of lonely, isolated people suffering from lack of purpose in the years following WW II. The primary character is a reclusive wealthy spinster, 30, who begins to receive threatening phone calls and the investment counselor and family friend who attempts to help her. This is a highly taut novel with strong character development and portrayals of the underside of city life.

Hitchen's "Fools Gold" is an even more obscure novel that focuses on a pair of juvenile delinquents and a young woman. The two young men see the possibility of easy money in burglarizing a home owned by an elderly woman. The young woman in the story is her ward and becomes a reluctant participant. Hard and seasoned older crooks, led by a ex-convict called Big Tom attempt to muscle in on the job. With the punks and the crooks working against each other, the heist unravels. In this book, as in the other books in the anthology, plot is secondary to character. This book became the basis of a 1964 film by Jean-Luc Goddard, "Band of Outsiders" but the book has been neglected.

The remaining book in the collection, "Mischief" by Charlotte Armstrong also is best-known for its film adaptation in 1952's "Don't Bother to Knock" starring Marilyn Monroe. The book shows in part the contrast between big city and small time life. An editor and his wife and nine year old daughter are in New York City for a convention. While in their hotel, they hire a babysitter unknown to them who proves to be psychotic and threatening to their child. The book show how people tend to be isolated from one another and reluctant to become responsible or involved with other people. The threat to the young girl works to bring people together and helps them to understand and appreciate their relationships to one another.

Sarah Weinman and the LOA deserve praise for this excellent box set. It collects and makes accessible books and authors worth reading and preserving. The set will enhance the reader's appreciation and understanding of American creativity and of the scope and diversity of the thought and writing our country has produced. The box set includes short biographies of each of the eight authors. Sarah Weinman's own discussion of the anthology and comments by other writers on each of the eight books are included on the LOA website. The Library of America kindly sent me a review copy of this box set.

Robin Friedman

9 of 9 people found the following review helpful.
Lots of Great Fun in this Boxed Set
By David Crumm
I'm a long-time collector of Library of America editions, especially having followed their mystery/noir publications and volumes on historic eras of journalism and public documents. I have their entire Philip Roth series and also the special set of "books" from classic Broadway shows. I say that to underline the importance of this publishing effort over many years. I like the look and feel of these editions. They're convenient to carry and read and this new edition is more of the same -- a top-rate set of books.

In the mystery-noir genres, I've found myself reading twice through the earlier Crime Novels set (1883011493). And now I'm certain I may read these more than once over the years. I'm very familiar with some of these classics, Laura especially, and I'm discovering some new gems I haven't read before.

I'm writing this review to suggest a way to enjoy this set with a friend. In this case, I'm going through these with my wife, who also loves mysteries. We're reading each one and then we're also watching the classic films made of several of these. If you're thinking about investing in this set, that's a fun way to think about it -- challenge a spouse or a friend to read with you -- and then watch the films together.

Lots of fun!

10 of 11 people found the following review helpful.
Great Stories not a great job of book printing.
By Steven Ferr�
I've only read two of the 8 stories, but am loving the style and sophistication. People really were smarter thinkers before we willingly turned over our intelligence to the on-eyed ogre that is television. My one criticism is that the copy I received has a serious printing flaw: random pages are extremely faint...barely legible.

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[J911.Ebook] Get Free Ebook Put Money in Thy Purse: Filming of Orson Welles' "Othello", by Micheal MacLiammoir

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The author first met Orson Welles in Dublin's Gate Theatre during the late 1930s, and established a long and stormy relationship with him. When the film of "Othello" was planned by Welles, the author was hired as Iago. This book is an account of the travails attendant on the production, which constantly ran out of money, and is also an acerbic and witty assessment of Welles himself.

• Sales Rank: #3347475 in Books
• Published on: 1994-04-21
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Paperback
• 258 pages

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0 of 0 people found the following review helpful.
Wonderfully interesting account of the making of Orson Welles' "Othello"
By Katrina Mount
Wonderfully interesting account of the making of Orson Welles' "Othello". Great stories of Orson himself and his creative process by an industry insider who was deeply involved. Great fun.

0 of 0 people found the following review helpful.
Funny, insightful look at the making of Welles' "Othello"
By Cliff Burns
Orson Welles' 1952 film adaptation of OTHELLO was one of the most famously fraught movie productions ever. The initial financial backing collapsed, so Welles was forced to pay expenses out of his own pocket. Shooting was halted on several occasions, actors and crew sent home or, even worse, kept waiting in remote North African locations while bills for hotels and accommodations loomed. Meanwhile, the director-star would have jetted off somewhere to lend his talents to some production willing to pay through the nose for even a brief screen appearance by a living legend.

Welles tapped his old friend Michael MacLiammoir to play Iago to his Moor and it was an inspired choice. MacLiammoir's portrayal was superb and he was also on hand to document, via his daily diary, many of the travails and obstacles Welles faced. PUT MONEY IN THY PURSE is a warts and all depiction of Welles, we see his genius and his bluster and brutality as well. Yet somehow he was able to hold everything together, forge on with his film regardless of obstacles, and complete a truly cinematic and unique version out of an old chestnut, breathe life into the Bard, while so many other efforts fall by the wayside.

This book, along with Werner Herzog's CONQUEST OF THE USELESS, is an invaluable addition to any cineaste's collection, especially if they revere the films of Orson Welles and respect his gigantic and singular creative spirit. Difficult to find, almost impossible, in fact, which renders PUT MONEY IN THY PURSE, in my view, virtually priceless.

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[T545.Ebook] Download Ebook Dancing Backward: An Adventure in Male Submission, by Thomas Lavalle

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Dancing Backward: An Adventure in Male Submission, by Thomas Lavalle

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Kelly was rich, beautiful, spoiled and born bossy. For Christopher, she’d decided that absolute submission to her will was the destiny he secretly craved. In any case, it was the destiny he was going to get.

From the moment Chris sees Kelly across the dance floor, he is as helpless as a marionette in her hands…

At a distance, she was impressive; close-up she was lethal. She reminded Chris of Tinker Bell all grown up, with her pixie-cut, white-blonde hair and a tight-cinched lime sweater dress that emphasized reckless curves above and below…

“I’m looking for a guy who will follow my lead—not only on the dance floor, but in all things. How do you feel about that?”

Little does Chris dream what lies in store for him when Kelly makes him her dancing partner — that this is only the first baby step in what will be a prolonged descent into complete and utter submission.

• Sales Rank: #311870 in eBooks
• Published on: 2015-11-19
• Released on: 2015-11-19
• Format: Kindle eBook

From the Author
What Amazon readers of�DANCING BACKWARD�are saying so far:

• "The best piece of female domination erotica I've read!"
• "Awesome writing and a femdom plot that'll keep you aroused throughout!"�
• "A thrilling ride into submission!"
• "A superior piece of writing!"
• "Want to get lost in a steamy FemDom story? Check it out."
• "Fans of total female domination and abasement of their men will enjoy this book. An in-depth look at the mindset of two people as they develop an extreme mistress/slave relationship." ~ Aunt Kay of the legendary�Disciplinary Wives Club
• "Looking forward to second part as soon as it's released!"

About the Author
I used to think I was the only guy with a superior wife. Gradually, then, I started noticing that all the other wives in our social circle were also superior to their husbands--far superior--in all the ways that really mattered: charm, grace, social sense, common sense, judgment, wisdom, spirituality, financial acumen, playfulness, dependability, nurturing--you name it!

Gradually the obvious truth dawned--that women are simply the superior sex. I have now learned to celebrate this revelation in every way that I can and to take my proper place proudly at the feet of our ruling goddesses. DANCING BACKWARD is my small fictional and somewhat fanciful tribute to female supremacy, and I hope to add future titles in the coming months.

Most helpful customer reviews

13 of 13 people found the following review helpful.
Nope, not for me.
By Miss Pearl
Not my cup of tea. I did a more detailed review on my blog, but here's the short summary of my impression:

As a female dominant, this was a huge turn off. I never really felt any love or chemistry from this- it was more about the idea of a fantasy dominatrix who exists to make men feel humiliated and submissive, than anything about female power or satisfaction. Our protagonist, Kelly, had the personality of a shark and I never got the impression she valued her partner in the least.

That's the real problem about *being* a female dom- the porn sells us as angry, entitled lunatics (spoiled? the marketing copy calls the heroine spoiled?!) and never seems to touch on why we might want or like male subs. Rather the reverse, as this book does, the more submissive Christopher becomes, the less Kelly is attracted to him.

Just once I'd like to read a F/m story like this where it didn't sound like the dom was so disgusted by her partner she was going to vomit.

3 of 3 people found the following review helpful.
A well written story with despicable characters
By Shaun Putaine
If you are into female dominants who despise the men who serve them, or male submissives who take no pride in their service; by all means buy and read this book right now. I prefer dominant women who actually like and care about men. I also like submissive men who have some pride in themselves and in their service.

This book is well written and edited but the female supremacist tone and the characters that I came to despise made for a less than enjoyable read. It's not my cup of tea but if those elements of character and story appeal to you by all means grab this book.

2 of 2 people found the following review helpful.
A thrilling ride into submission
By Clutterbuck
This is without a doubt the best piece of female domination erotica I have read. Every sentence seems finely composed and tuned to thrill both mind and body. The author makes it perfectly understandable how Chris is mesmerized, seduced and enslaved by Kelly. His description of her - her thoughts as well as her words and actions - seems to do her inteligence justice. And I have a very clear image of her statuesque body in my mind. A wonderfully cruel and sexy mistress and goddess.

This is a very well written book, and the editing, and attention to detail and nuance, make it a joy to read.

One can only hope there is a Mrs. Lavalle who can - with loving firmness - focus Mr. Lavalle's efforts on finnishing part 2, as a service to all aspiring Godesses and slaves. And the many books to come ...

See all 19 customer reviews...

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